5 albums of 2012 you should listen to
#5: Celldweller – Wish Upon a Blackstar
Album cover brought to you by the Rorsach Tests department of Hell. |
Celldweller.
Does this name ring a bell? The project of producer and self-loathing vocalist
Klayton has been around since 2003. His music has been used in the trailers for
pretty much every post-2003 action shlock-fest, including Doom. This guy
has made a living by licensing his tracks for media usage. For years, he has
been making an album called Wish Upon a Blackstar, and every year he
would release two finished songs from the album. When the album finally dropped
this year, we had already heard half of it.
Proceeds from the album will go to Klayton’s hair extensions fund for aspiring artists. |
So, after
spoiling so much about the upcoming album, is the whole thing worth a listen?
Well, here's the thing: I had listened to the “self-leaks” repeatedly, but
after listening to the whole thing at once, it felt like a brand new
experience. Klayton is a brilliant producer, blending styles of electronic,
rock and metal music into a glossy sci-fi package. His lyrics may annoy some,
though, which is why he always releases instrumental editions of his albums.
The source of Klayton's lyrical prowess. |
Overall, Wish
Upon a Blackstar is a fun, campy experience. Perhaps it's too long at 73
minutes, but the final track, Against the Tide (I'm not counting the pointless
ambient outro) is definitely rewarding. I thought it would go into uber-cheese
fest territory, but it proved Klayton still gives a shit about some good rock
tunes after all the trance and dubstep influences. Make sure to listen to the
Deluxe Edition, which has a different track order and little segues that form a
more coherent listen. The standard edition has exactly the same tracks in a
different order and lacking the ambient stuff, which is ridiculous. But, then
again, Celldweller was never a musical project to be taken seriously (see: the
lyrics of “The Lucky One”).
#4: Meshuggah – Koloss
After the
success of Swedish avant-metal band Meshuggah, a new genre (sort of) has
emerged: “Djent”. I know its name sounds like an ethnic percussion instrument,
but it's actually an onomatopoetic word describing a subcategory of heavy metal
containing Rubik's Cube-like drum polyrhythms and heavily distorted, palm-muted
guitars that sound like the Terminator being gang-raped by whales.
His eyes are windows into a great white Hell |
Ever
since Meshuggah invented this sound, there have been dozens of bands calling
themselves “djent metal” that have been evolving from “guy in his bedroom” to
“guy in some internet forum” to a complete band. Of course, this matter has
been a subject of controversy, especially from metal know-it-alls like Lamb of
God's Randall Blythe. “There is no such thing as 'djent,'”, he says furiously.
“It's not a genre.” If you've read about his recent incarceration and release
due to being falsely accused of killing a fan in a live show, you know this guy
is not to be messed with.
When he says “there is no such thing as djent”, YOU LISTEN. |
Meshuggah
had not been so happy with how this whole situation turned out. Modern metal is
chock-full of Meshuggah-wannabes. So, in order to shut them all up, they
released this new album called Koloss.
Only Greek readers will get this. |
What does
Koloss sound like? Well, it's aggressive, but there's a certain charm to
this album that sets it apart from both their previous releases and all those
imitators: it has a stronger focus in songwriting. These tracks feel like
actual songs, rather than variations of the same track. There's lots of fast
head-bangers and slow, sludgy burns that help their eight-string guitar madness
develop in more ways than you can imagine. Koloss is Swedish
Terminator-rape metal at its finest.
Crafted by the Chef's finest recipes. |
#3: El-P – Cancer 4 Cure
First
off, I hate saying his name out loud to people not familiar with him. “El-Pee”.
“LP”. It either makes for some unfortunate wee jokes or brings to mind that
band whose name has the initials LP. Yeah, that one.
“We're so
forward-thinking, my shirt matches the wall.”
|
Okay,
back to El-P. This Brooklyn-born rapper and producer has been making
barrier-breaking hip-hop music since his membership in the now split up group
Company Flow. He has been working solo following CF's demise, constructing
dense, complicated albums with extremely wordy verses and beats that sound like
a post-apocalyptic robot invasion dance party.
...that's NOT produced by Disney, that is. |
El-P
released his third solo album this year, Cancer 4 Cure. It's a real
beast. El-P may not be as chatty as he used to be, instead opting for more
concise verses (they're still hard to figure out, anyway). The real star of
this album is, again, its production. While I'm missing the deliciously weird
chill-out beats that graced his previous two LPs (oh, God DAMN IT), Cure
boasts some seriously aggressive stuff.
You can hear a Dirty South influence
(more on that later), which suits its bombastic, take-no-prisoners style
perfectly. There are also lots of guest rappers, including Despot, Danny Brown,
Mr. Muthafuckin' eXquire (best rapper name ever) and Killer Mike (more on him
also later). El-P is more brutal than ever, this time refusing to rap about
failed relationships and just pound his views on today's society until you're
sore and bleeding.
“I didn't take this test for nothing, you know.” |
#2: Killer Mike – R.A.P. Music
Okay, who the hell is the guy on the cover? It sure ain't Killer Mike.
“Eh, just draw a random guy, don't feel like posin' for you today.” |
Anyway, R.A.P.
Music is the other release El-P produced this year, this time for his new
partner-in-rhyme, Dirty South rapper Killer Mike. Their newfound friendship
brought a rap album unlike anything you've heard before. El-P's synth-heavy
production and Mike's powerful vocals blend so well together, it's no surprise
it's one of the most critically-acclaimed hip hop albums of the year. Killer
Mike showcases his versatility in lyrical subject matter, covering a wide
spectrum of topics including politics, religion, personal experiences,
fictional characters and police brutality, as well as his incredible rapping
abilities. His vocabulary, dynamics and speed need to be heard to be believed.
Above: The writing process for R.A.P. Music. |
Without a
doubt, R.A.P. Music is a tremendously entertaining, highly emotional and
thought-provoking listen. Check it out even if hip hop isn't your thing. You
will find something to like.
#1: Deftones – Koi No Yokan
Koi No...
what?
Apparently,
it's a Japanese phrase that means “premonition for love at first sight” or
something like that. When I told a friend of mine who's a Deftones fan about
it, he said, “uh-oh. Sounds like they're gonna pussy out this year.”
Boy, was
he wrong.
“YOU WILL CARE ABOUT 'PREMONITION OF LOVE', MOTHERFUCKERS.” |
The
second album recorded without bassist Chi Cheng, who's still recovering from a
coma following a car crash, Koi No Yokan features Deftones at their most
agg... wait, I've used the word “aggressive” too much in this article. Let's
pick something else. How about, uh... “take-no-prisoners”? Nah, done that too.
Well, fuck. This album is so amazing, it won't let me describe it. It's a huge,
multi-faceted attack on the senses. Whether it's a beat-you-to-the-ground
scream anthem or a slow, melodic soothe-fest, Koi No Yokan knows how to
hit you hard. It also has the privilege of being able to make both
hard-drinking metalheads and Tumblr fangirls gush all over their pant-- I mean
blogs.
Now you know how to get more chicks. |
So,
that's all for now. I hope you'll enjoy these albums as much as I did. Stay
safe, and, for Pete's sake, stay away from Randy Blythe.
Fotis
Kyriazidis is an amateur in everything, including breathing. He has an art page
(http://wizfrikiman.deviantart.com) filled with dinky digital doodles
and a music page (http://soundcloud.com/wizfrikiman) with bleeps and bloops of many
kinds. He loves big words with no meaning.
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